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University of Bern, Switzerland

Douglas Mark Ponton, Emiliano Bonanomi, Jack Dandy, Diana Sfetlana Stoica, Irene Polimante, Patrizi Chiara, Diego Pani, Giulia Magazzù, Daniel Lieberfeld, Yves Laberge, Jean Charles Khalifa, Iain Halliday, Adriano Elia, Valerio Massimo De Angelis, Uwe Zagratzki, Thomas Claviez, and Randolph Lewis
The book is the fruit of Douglas Mark Ponton’s and co-editor Uwe Zagratzki’s enduring interest in the Blues as a musical and cultural phenomenon and source of personal inspiration. Continuing in the tradition of Blues studies established by the likes of Samuel Charters and Paul Oliver, the authors hope to contribute to the revitalisation of the field through a multi-disciplinary approach designed to explore this constantly evolving social phenomenon in all its heterogeneity. Focusing either on particular artists (Lightnin’ Hopkins, Robert Johnson), or specific texts (Langston Hughes’ Weary Blues and Backlash Blues, Jimi Hendrix’s Machine Gun), the book tackles issues ranging from authenticity and musicology in Blues performance to the Blues in diaspora, while also applying techniques of linguistic analysis to the corpora of Blues texts. While some chapters focus on the Blues as a quintessentially American phenomenon, linked to a specific social context, others see it in its current evolutions, as the bearer of vital cultural attitudes into the digital age. This multidisciplinary volume will appeal to a broad range of scholars operating in a number of different academic disciplines, including Musicology, Linguistics, Sociology, History, Ethnomusicology, Literature, Economics and Cultural Studies. It will also interest educators across the Humanities, and could be used to exemplify the application to data of specific analytical methodologies, and as a general introduction to the field of Blues studies.

Alessandro Ferrara, Thomas Claviez, Sophie Junge, Dietmar J. Wetzel, Franz Andres Morrissey, Lea Hagmann, Marcello Ruta, Marcello Sorce Keller, Tina K. Ramnarine, Ryan Kopaitich, Viola Marchi, and Timothy Campbell
The volume provides a critical assessment of the concept of authenticity and gauges its role, significance and shortcomings in a variety of disciplinary contexts. Many of the contributions communicate with each other and thus acknowledge the enormous significance of this politically, morally, philosophically and economically-charged concept that at the same time harbors dangerous implications and has been critically deconstructed. The volume shows that the alleged need or desire for authenticity is alive and kicking but oftentimes comes at a high price, connected to a culture of experts, authority and exclusionary strategies.