Our Books - Ideas That Shape Scholarship

In a century stained by revolution, dictatorship, and neoliberal violence, ordinary men and women became extraordinary witnesses—dying so that others might live free. From the bullet-riddled Cristero battlefields of Mexico to the bloodied streets where Óscar Romero fell, from Chico Mendes’s Amazonian stand to the unmarked graves of Chile’s forgotten priests and the deadly migrant trails of today’s Via Crucis—this collection rewrites the meaning of martyrdom for our time. Edited by Marisol Lopez-Menendez, 'Dying for the Dawn' brings together leading scholars to reveal how martyrial stories are not relics of the past but living weapons: shaping politics, igniting social movements, redefining gender and memory, and challenging the very border between faith and resistance. Here you’ll meet worker-martyrs, children saints, environmental prophets, disappeared priests, and the “neo-liberal martyrs” dying at the hands of borders and cartels—figures whose deaths still fuel protests, pilgrimages, and demands for justice across Latin America and its diaspora. Blending riveting history, sharp sociology, and unflinching cultural analysis, this is the book that finally connects the dots between ancient sacrifice and today’s struggles for human rights, migration justice, and democratic dignity. Perfect for readers of liberation theology, Latin American history, religious studies, and anyone who believes that courage can outlast bullets.

'Colonial Stockholm Syndrome: Navigating Identity, Loyalty, and Resistance in Puerto Rico” by Denise Zubizarreta offers a critical examination of Puerto Rico’s enduring colonial legacy under both Spanish and American rule. This book explores the profound psychological and sociopolitical effects of centuries of colonization on Puerto Rican identity, illuminating how the island’s people have been conditioned to navigate complex loyalties and resistances in the face of systemic oppression. Through the innovative framework of Colonial Stockholm Syndrome, Zubizarreta analyzes how Puerto Ricans have historically reconciled their dual loyalties—first to the Spanish Empire and later to the United States—while confronting the ongoing challenges of inequality and dependency. The narrative delves into pivotal moments in Puerto Rican history, from the Spanish colonial era and the struggle for autonomy, to the American occupation beginning in 1898, and the current debates surrounding statehood and independence. Positioned within the broader discourse on colonialism and postcolonial studies, this work stands out for its unique approach to understanding Puerto Rico’s complex colonial history. By integrating historical analysis, personal narratives, and critical theory, Zubizarreta provides a comprehensive and accessible exploration of how colonial power dynamics continue to shape Puerto Rico’s national identity and political future. This book is an invaluable resource for scholars, students, and professionals in Latin American and Caribbean studies, political science, history, and cultural studies. It serves as a key reference for understanding the psychological and cultural dimensions of colonization, making it suitable for classroom adoption, academic research, and broader discussions on decolonization, identity, and resistance. 'Colonial Stockholm Syndrome: Navigating Identity, Loyalty, and Resistance in Puerto Rico' is an essential contribution to the literature on colonialism and its enduring impacts, offering new insights into one of the oldest colonies in the modern world.

'Millie Gone to Brazil' is the title of one of the most popular folk songs in Barbados. Written in the early 20th century by an unknown author, the song has travelled with Barbadian migrants to Cuba, the United States of America, Canada and England. It tells the story of a young woman – Millie – killed by her lover, who claimed that she had left Barbados to go to Brazil. This book focuses on the killings of Millicent Gittens, murdered in Barbados in 1916 and of Christine Minggs, a Barbadian immigrant murdered in Brazil in 1924. As a backdrop to those crimes, it depicts the poverty and marginality among Black populations during the post-abolition period in Barbados and Brazil, emphasizing the low status of black women and their vulnerabilities. To understand the vulnerability of Black Barbadian women. At the turn of the 20th century, economic, social and political exclusion drove thousands of people to emigrate from the small islands of the Caribbean in search of a better life. Black immigrants, although much necessary labor force, faced discrimination and limited opportunities to improve their lives, for women, life was harder. Who speaks on behalf of the dead women? In criminal processes, they are the victim, the corpse, not a person. 'Millie Gone to Brazil' sheds some light on the anonymous lives of Black people from lower classes in Barbados and examines a not well-known migration path of West Indians to the rainforest region of Brazil. Women and men struggled to make a life in Barbados and in Brazil, working, loving, building families, facing conflicts. Some survived, some perished. Scraps of their stories were registered in the pages of newspapers, in police reports, in criminal processes, and in popular songs. Some of those stories are narrated in this book.

This work offers a comprehensive exploration of how childhood and youth are understood within contemporary social theory, emphasizing the major intellectual shifts that have transformed these fields over the past three decades. Moving beyond traditional developmental perspectives that portrayed children as passive recipients of socialization and youth as a brief transition to adulthood, the text draws on the “new social studies of childhood” and critical youth studies to argue that both childhood and youth are socially constructed categories. Rather than universal or biologically fixed stages, they are shaped by historical contexts, institutional arrangements, and unequal power relations. Central to the analysis is the concept of cultural politics, which highlights how meanings, identities, and representations of children and young people are produced, circulated, and contested. The work demonstrates how media narratives, state policies, educational systems, and global market forces frame childhood and youth in contradictory ways—at times idealizing them as innocent and hopeful, and at other times depicting them as deviant, risky, or problematic. Such representations are shown to reflect broader ideologies of nationhood, gender, modernity, and economic productivity. The text further underscores the importance of intersectionality, explaining how class, caste, race, gender, sexuality, disability, language, and nationality intersect to shape diverse and unequal experiences of growing up. It also examines the impact of globalization, neoliberal economic restructuring, migration, and digital technologies in reshaping young lives, generating both new opportunities and new vulnerabilities. Importantly, the work foregrounds agency, emphasizing that children and youth actively negotiate, reinterpret, and sometimes resist structural constraints in everyday contexts. By integrating insights from sociology, education, psychology, and cultural studies, the volume advances an interdisciplinary, decolonial, and context-sensitive framework for understanding the complex realities of childhood and youth in contemporary societies.

In a world where people are living longer and healthier lives, 'Passionate Aging' offers a fresh, empowering perspective on what it means to grow older. This engaging and insightful book explores the opportunities, challenges, and responsibilities of aging, aiming to dispel stereotypes and inspire both individuals and society to reimagine the later stages of life. Through a mix of research, practical advice, and personal narratives, the book serves as a guide for making the most of our extended years.

People who are faithful and committed to their church often have a longing for others to feel the same way. They have a palpable hope for the church to be full and a desire for others to be spiritually enriched by God. 'Send Us Out: The Church on Mission through Hospitality' connects the reader with that desire for the church to be a vibrant, hospitable, and growing body of believers in Christ. The reader will be taken on a journey to consider those who have not fallen in love with the church and to grow awareness and compassion for connecting with them as God does with humankind. Inspired by texts such as 'Incarnational Ministry' by Samuel Wells and 'Surprise the World' by Michael Frost, 'Send Us Out' stirs passions for mission and evangelism through presence and intentionality, learning how to be with strangers. The journey includes a practical theology that clergy and laity alike can incorporate into daily living. The practical nature of 'Send Us Out' teaches a spiritual understanding of Christian hospitality through language, biblical study, ministry examples and models, reflection, and action. Readers may wish to form study groups for sharing in the end-of-chapter activities and discussions. The church will be strengthened in a call for each member to be sent out, revealing God as Host to a world learning to be reconciled as guests.

This collection of essays explores the complexities of the photographic image in the wake of the digital turn. While the digital image has, in effect, effaced the necessity for a pre-existing “reality,” the presumed indexical function of the photographic image has by no means disappeared—technical images continue to organize, if not generate, our shifting modes of perception. How do we reconsider analog photographs, given that they can and are likely to show up on a variety of digital platforms? How do we re-view technical images that make the invisible visible, given that current imaging technologies generate new visualities as such? How does the digital force us to reconceptualize the analog? Individual chapters engage with a range of technical images approached from various critical and/or theoretical perspectives. One focuses on composite photographic portraits in eugenics and in contemporary art through Deleuze and Guattari’s notion of facility. Another assumes a pedagogical approach that pursues the photographic as a metaphor for knowledge practices through staging embodied encounters with digital living. Another explores the work of the artwork through a study of contemporary art photography by means of object-oriented ontology and new aesthetic realism. Yet another presents an infographic genealogy that tracks the technical image across a modernist telematic media-verse. One chapter offers a critical exploration of a silent film hero through her various analog and digital incarnations. Another explores a Lacanian-inspired perspective on the consequences of the shift from analog to digital for the subjects in front of the camera, the posers. One chapter focuses on the analog Anthropocene through an investigation of an Italian film factory and its material and human legacies. A final contribution investigates the relationship between photography and disaster through a discussion of a triple disaster—the earthquake, tsunami, and nuclear accident that occurred in Japan in 2011.

'Social Resilience: Critical Responses to Change and Challenges' is an edited volume intended for researchers and post-graduate students interested in studying social resilience from a multi-disciplinary, social scientific perspective. The volume consists of eight chapters that explore the concept from diverse disciplinary angles employing different theoretical and methodological approaches. Representing the fields of psychology, anthropology, social work, sociology of law, and legal studies, the authors discuss how social resilience manifests in different circumstances and contexts and what it means both in theory and practice. Thematically, these discussions concern migration, sexual minority experiences, environmental and economic crises, and the relationality and processuality of the concept as both an analytical tool and a unit of analysis in and of itself. Most research on social resilience follows the socio-ecological systems paradigm that defines (social) resilience as an ‘adaptive capacity’ to cope with and overcome adversities. While some chapters in this book adhere to this, others advocate for a more process-oriented and dynamic approach, focusing not so much on how people build resilience but rather how people act across time and space and in relation to others when facing disruptions to normalcy or outstanding crises. Here, the volume offers a tacit critique of the neoliberal model of conceptualizing resilience as a normative concept; an ideal way to be, and explains what research on resilience might look like if it instead centers on our continuous being.

It could be said all new research contains a “re-evaluation” of past work but these two volumes attempt a re-evaluation of feminist research in contemporary art as it has developed over the last 50 years in relation to different local/global dynamics and/or about certain artists, artworks or exhibitions. Feminism(s) aim was to interrogate existing histories and provide significant corrections to what constitutes “history”. The two volumes explore some of the ways feminism(s)’ challenges have changed museums’ curatorial practices, critical writing and art history and how feminism itself has been transformed over time and its presence in many locations. Feminism’s absence from the stories told today about the recent past and present of contemporary art represents a starting point for these essays to explore the different strategies that have been attempted in cultural and political terms and to offer fresh assessments. Their re-evaluation of artists, artworks and exhibitions goes beyond questions of reputation or recognition, to embrace questions about identifying issues in feminist research, engaging in collective work and re-examining the personal in relation to politics/aesthetics. These volumes include different voices and perspectives on feminism and contemporary art from many parts of the world by academics, critics, artists, curators and researchers. Volume 1 has three sections that each address local and transnational issues in interpretations of feminism and amongst exhibiting artists through considering local/global dynamics and/or national frameworks (section 1); feminist cultural politics within exhibitions and writing exhibition histories (section 2) and within histories of conflicts in different local/national situations (section 3). The writers come from North Macedonia, UK, Iran, USA, China, Poland, Austria, The Netherlands, Italy, Spain, Ukraine, Latin America and Latvia – and their work engages work undertaken in Japan, Thailand, France, Vietnam, Mexico, Argentina and Brazil.