Our Books - Ideas That Shape Scholarship

Navigating the intricate landscape of U.S. higher education can be profoundly challenging for international students. This groundbreaking work offers a vital, dual perspective, interweaving deeply personal lived experiences with rigorous academic research to illuminate the multifaceted journey of cultural and academic adaptation. Beyond the author’s compelling narrative in the preface, the book shares personal stories, making complex challenges tangible and relatable. From dissecting the nuances of U.S. grading systems and academic culture to exploring complex social integration, language proficiency hurdles, and the pervasive challenges of “othering” and discrimination, this book provides an honest and comprehensive account. A unique focus is placed on the distinct barriers faced by female students from conservative cultural backgrounds, offering empathetic insight into their unique struggles with participation, social norms, and mental well-being. Distinguished by its blend of personal narrative and evidence-based solutions, this book transcends mere description. It critically examines the role of institutional support, advocating for culturally sensitive mentorship, inclusive classroom practices, tailored mental health services, and essential cultural competency training for faculty and staff. 'Cultural Influences and International Students' is an indispensable resource for current and prospective international students seeking to understand and prepare for their journey. It is also an essential guide for higher education professionals, including faculty, advisors, administrators, and policymakers, providing actionable strategies to foster truly inclusive environments. This work stands as a powerful call to action for transforming U.S. campuses into spaces where every international student can thrive academically and personally.

This collection of essays provides a multidimensional, interdisciplinary, creative, and colorful view on the meanings and possibilities of thinking football—'the beautiful game'—and its paramount event: the World Cup. It is intended to appeal to academics as well as to everyday experts, those for whom football is more than a sport. But it also wants to be a source that stirs the interest of those who see football just as a curious experience; those who may have heard, in passing, that a new World Cup will be played in the U.S., Canada, and Mexico in 2026. This book has, like a football team, eleven chapters. The approaches, styles, and perspectives differ considerably: From how football is a center piece in politics to its representations in poetry, from gender issues to nationalism, from fictitious wars to real ones provoked by a football match, and from exile to the neo-liberalization of the sport, the authors provide us a multicolor and global fresco of football and the World Cup. Likewise, the selection provides a global perspective on football and the World Cup: views from powerhouses such as England or Argentina, as well as from countries with a very incipient football tradition, such as India and Israel. 'World Cup! History, Politics, and Art of the Beautiful Game' is an invitation to continue to understand and think about one of the most important cultural manifestations of our times; a book that, particularly in the context of the next World Cup in 2026, will appeal to a broad readership, all around the world.

How are the senses and memory linked? What do sensory approaches to research reveal about the functions of memory? This edited volume encompasses various interdisciplinary projects that showcase the value of viewing the world through all of the senses and the ways that memory is multisensorial. From smell’s “Proust effect” to music’s ability to improve memory and mood, we remember and memorize the world through sensory input. This book expands research on multimodal work, the senses and materiality, the senses and methodology, sensing memories of the past, and technology’s impact on sensory lives. The chapters included cover all the senses, as well as the cross-modal experience of synesthesia. Each chapter further covers concepts related to memory studies, ranging from nostalgia, traumatic memories, and memorials to remembering the past (history), archives, and questions of identity. This edited volume is divided into five sections, each containing two to three chapters. The five sections, “Sensing Place and Space,” “Art as a Medium of Memory,” “In the Mind of Synesthesia,” “Making Sense of Materiality,” and “Technology and the Sensorium,” describe different groupings of interest. From questions of spatiality to digital life, each section invites the reader to explore new developments in the fields of memory studies and sensory studies and new insights on established topics. In these intimate, critical, and penetrating chapters, the authors of this book share new visions of what it means to write at the crossroads of the senses and memory and present new methodologies, frameworks, and pedagogies for examining this interconnection. A resource for both research and teaching, this volume represents a valuable guide for scholars working in sensory studies and memory studies. The hope is that "The Senses and Memory " will inspire future research and thinking in these evolving and expanding fields of study.

This work, written for the Anglo-Burmese community, adopts an interpretive paradigm and delves into the complex markers of the Anglo-Burmese culture, a blend of British and Burmese influences during the colonial period. The community is primarily composed of individuals of mixed European and Asian ancestry who held privileged positions akin to those of the Anglo-Indians in India during the British colonial era. The community's development was influenced by British laws, values, and norms. It uses social science theories and methods in developing Anglo-Burmese culture and does not intend to be a book on unpacking British history. The work explores belonging as a fundamental human need that is crucial in shaping one's personal identity as an Anglo-Burman. The book utilises various sources, including autoethnographic recollections, survey responses, open-source social media narratives, historical documents, and secondary accounts, to comprehensively understand Anglo-Burmese culture. Various groups, such as British colonialists, anthropologists, theologians, novelists, politicians, and historians, have contributed their perspectives, impacting the representation and documentation of mixed-race individuals in India and Burma during that time. The portrayal of mixed-race persons as half-caste and the intrigue surrounding interracial relationships were prevailing themes among those depicting the Anglo-Burmese and Anglo-Indian communities during the 19th century. The process of Anglo-Burmese assimilation into British societal norms can be observed through the analysis of historical and political power dynamics, particularly with regard to education and religion in British Burma. This book constructs Anglo-Burmese culture from within the community. With a rich blend of Asian and European heritage infused with the values of British colonialism, the Anglo-Burmese culture has evolved into a truly unique and intriguing cultural phenomenon. The book offers an extensive study of this culture, shedding light on its customs, traditions, and way of life from their lived experience. The Anglo-Burmese community inhabited a distinctive liminal zone between the coloniser and the colonised. These details offer a wealth of insights into Burma's complex tapestry and the intricacies of race and colonial hegemony. The Anglo-Burmese community's displacement to Western nations as a result of Burma’s independence, World War II and the Ne Win military regime had a significant influence on their cultural heritage and identity. With the gradual passing of the older generation of Anglo-Burmese in the diaspora, we will see their knowledge, practices, and customs that constitute the distinctive Anglo-Burmese culture being lost over time.

NHS Scotland appears to be in crisis. Today the British media is full of headlines such as “89-year-old great-grandmother waits 5 hours for an ambulance.” These are a talking point for a day or two and then another headline of a similar ilk takes over. This book examines the traumatic experiences of the elderly people whose stories make up these headlines. The authors have carried out research into the effects of long waiting times for ambulances and the problems that NHS Scotland is facing through chronic staff shortages. The waits and the limitations to patient care have long term implications for the patients, the relatives and the staff. Throughout the book we discuss iatrogenic disease/harm that is occurring daily for patients, visitors and staff. The book concentrates on the new Glasgow hospital, The Queen Elizabeth University Hospital, which opened its doors in 2015. This is one of the largest hospitals in Europe and replaces 5 older Glasgow hospitals and has been beset by major problems since its opening. By interviewing relatives and staff, the authors have examined their experiences both during and following a traumatic event. Themes found throughout the book include poor communication, trauma, low staff morale, suicide and the problems caused by the size and design of the hospital. The authors have also analysed statistics from NHS Scotland and Scottish Ambulance Service regarding waiting times and the use of agency staff. The overarching goal of this book was to give a voice to those behind the statistics.

With the prominence of workshops, trainings, and anti-racist books popping up over the past few years, it may seem confusing as to what it really means to engage in deliberate and meaningful learning that challenges the many facets of racism and whiteness. 'Untangling Whiteness' directly interrogates the assumption that the teaching and learning about race and whiteness, particularly within the university context, can be condensed to one course, one workshop, or even a few trainings. It is a life-long process that may begin in one university classroom, but must continue as part of who we are as unfinished and undetermined beings. Through a deep and multi-faceted interrogation of racism and white supremacy, this book untangles critical theories of race, whiteness and resistance in an accessible and dialogical manner. It also situates whiteness in Aotearoa, New Zealand, demonstrating the importance of context and location when working to undermine and challenge it. As a theoretical provocation of existing scholarship on race and white supremacy, 'Untangling Whiteness' is underpinned by educating for critical consciousness, as well as a phenomenological engagement that aims to both interpret the world differently and transform it.

There has yet to be a strong consensus regarding when and if postmodernism ended. As such, there is no agreement about the new age’s name, origins, or tenets. Nealson’s 'Post-Postmodernism: or The Cultural Logic of Just-in-Time Capitalism' leaves out the impact of the internet and social media. Other books fail to explore post-postmodernism within a larger social-political framework and do not examine the cultural trends that have responded to such forces. This book undertakes these complexities by examining the interplay between the sociohistorical events and visual culture of the last two decades and posits that postmodernism ended with the terror attacks on September 11, 2001. Few events have such a tremendous impact on the collective consciousness that they cause immense social, political, and cultural changes, but the terror attacks marked the beginning of a new era filled with greater anxiety and uncertainty. The Bush Administration used news outlets to promote a false narrative and mislead the public, manipulating information to further its agenda and altering the nature and efficacy of mass media and ultimately launching society into an age of disinformation. 'The (Dis)Information Age' is comprised of two main phenomena: post-truth and post-postmodernism. Truth and reality have become increasingly difficult to ascertain in this post-truth world and created increased skepticism towards those in the government and media. The rise of the internet and social media has exacerbated this trend by individualizing facts and data, further fragmenting society along ideological lines. The result is people share fewer common ideas than in previous eras and are no longer living in a shared reality. Post-postmodernism, on the other hand, is a cultural movement that has responded to post-truth’s weaponization, misuse, and individualization of information. Artists of post-postmodernism seek greater connectivity and common ground to combat individualized information and ideological warfare. To them, truth resides in the collective. This study examines the intricate relationship between recent socio-historic events and cultural manifestations that respond to them to better understand the world in which we live.

The goal of "Topics and approaches to studying intelligence" is to bring into sharper focus the evolving nature of intelligence studies, which is in the midst of a period of significant expansion that is taking place across a number of dimensions. Working on this foundation of past and contemporary analytic intelligence studies, the chapters in "Topics and approaches to studying intelligence" highlight areas of debate and disagreement, provide insight into new areas of study and broaden the methodological toolset used by researchers. Both qualitative and quantitative approaches investigate analysis, alliances, competitive/private sector intelligence, gendered practices of intelligence agencies, the nature of intelligence studies scholarship, accreditation, intelligence disclosure for diplomacy, and the sharing of nuclear-related intelligence.

"Embodied Testimonies, Gendered Memories, and the Poetics of Trauma" is a collection of academic essays that uses mainstream and postcolonial trauma theory in the analysis of literary and artistic representations of traumatic history. This collection prioritizes historical and personal accounts from the perspectives of Iranian, Arab, Jewish, and Black women to highlight the ways in which gender, race, and religion shape experiences of trauma. By drawing attention to individual experiences of suffering — both visible and invisible — the authors reconsider the basis for collective and socio-political engagement. The book re-examines established postcolonial trauma theory, which can occasionally overemphasize the collectivity of traumatic experience and subsume individual stories under ideological nationalism. Each chapter in this collection explores methods of balancing the pain of the individual and the community through analyses of art, literature, and film. Together, these chapters demonstrate the importance of embracing a dynamic and diverse approach to the representation of trauma that makes marginalized survivors visible while also recognizing the complexities of gendered and racialized experiences of trauma.